2024
Live performance at Bad Bonn, Düdingen (CH).
On the Blink - Group show at Sentiment, Paris (FR).
È stata la tua lingua a ricordamele - Group show at Baleno International, Rome (IT).
Live performance at Kunsthalle Friart - Fribourg (CH).
The Unswept Floor - Solo presentation at Halle für Kunst, Lüneburg (DE).
Seriously, yes - Group show at WVK gallery, Zug (CH).
Swiss Art Awards 2024, Messe, Basel (CH).
Occhi profondi lampeggiano - Live performance for HPO at Slam Jam, Ferrata (IT).
A minute or two - Live performance for Halle für Kunst, Lüneburg, (DE).
Miart 2024 duo booth with Dario Guccio for Baleno International, Milano (IT).
Ornamental Moulded Relief - Live performance at Kunstverein Gartenhaus, Vienna (AT) curated by Lewon Heublein.
Sculture nella Città - Group show at Pescheria, Pesaro (IT), curated by P. Ciorra, C. Nava, M. Giorgi.
2023
Diario Notturno - Group show at MAXXI, curated by Bartolomeo Pietromarchi, L’Aquila (IT).
Live performance for Sonic Matter Festival, Zürich (CH).
Live performance with Miao Zhao at Kunstraum Walcheturm, Zürich (CH).
Pick Pocket - Group show at teatro Michetti, Organised by Fondazione Zimei, curated by Massimiliano Scuderi, from an idea of Renata Lucas, Pescara (IT).
Reflux - Live performance for Biennale du Son, Sion (CH).
Che Sarà, Sarà - Group show at Fondazione Sandretto Re Rebaudengo, curated by Stefano Collicelli Cagol and Michele Bertolino, Torino (IT).
Kunststipendien der Stadt Zurich, Helmhaus, Zürich (CH).
Banana Split, Slippery and Hurt - Group show for the VII edition of the Club GAMeC Prize, Bergamo (IT), curated by Caterina Avataneo.
Reek of Past Pitfalls - Solo show at Istituto Svizzero, Milan (IT), curated by Gioia Dal Molin.
Live performance for Junctions/ Symposia at Brasseries Atlas, Bruxelles (BE).
2022
Nostalgia Boner - Live performance curated by Perrrformat, Zürich (CH).
We Unleash Storms, Yet We Like the Sun - Duo show with Lina Pallotta at Last Tango, Zürich (CH), curated by Michele Bertolino.
Artissima 2022 - solo booth with Baleno International, Torino (IT).
TOBATT (Caterina De Nicola and Axel Kolb) at Gamut Festival, Zentral Wäscherei, Zürich (CH).
Expectations - Group show at A Sud, Pescara (IT), curated by Massimiliano Scuderi.
Swiss Art Awards 2022, Messe, Basel (CH).
Premio Artisti Italiani PART 2022 - Museo Part, Rimini (IT), curated by Edoardo Bonaspetti, Lucrezia Calabrò Visconti and Francesco Garutti.
Infedele - Solo show at Baleno International, Rome (IT).
Intelleaks - Group show at N/A/S/L, Mexico City (MX), curated by Diego Salvador Rios and Jeronim Horvat.
2021
To grass - Live performance for Les Urbaines 2021, Lausanne (CH); with Florian Schlessmann, Jamira Estrada, Rafal Skoczek, Valentina Demicheli.
Movie Buff - Group show at All Stars, Lausanne (CH), curated by Alfredo Aceto.
Werkschau 2021 - Group show for the Werkbeiträge des Kantons Zürich at Haus Konstruktiv, Zürich (CH).
Hotline Forde - Live performance at Palp Festival, Sion (CH), curated by Samuel Gross & Balthazar Lovay.
School of Waters - Mediterranea19 Young Artists Biennale - San Marino (SMR).
Lonely Fans - Solo show at Chickentown, Zürich (CH).
“Same things make us laugh, make us cry” - Group show for Body Archive Project, ETH Zürich (CH), curated by Lhaga Koondhor and Doris Dehan Son.
A Beautiful Life - Group show at WallStreet, Fribourg (CH).
TOBATT (Caterina De Nicola and Axel Kolb) at Rote Fabrik, Zürich, CH.
Evidently Chickentown - Group show at Chickentown, Zürich (CH).
“Lemaniana” - Group show at Centre d’Art Contemporain, Geneva (CH), curated by Andrea Bellini, Stéphanie Moisdon, Jill Gasparina and Mohamed Almusibli.
2020
A Hole With a View- Live performance for 1000 Spaces, Istituto Svizzero (IT), curated by Gioia Dal Molin; performed with Valentina Demicheli, Yesh, Dominic Michel, Ronja Varonier and Urban Zellweger.
Open Studio - Cripta747 Residency programme Fellowship 2020, Torino (IT).
FUORI! - 17a Quadriennale d'arte 2020 - Palazzo delle Esposizioni, Roma (IT), curated by Sarah Cosulich and Stefano Collicelli Cagol.
Whispering Walls - Group show at Last Tango, Zürich (CH), curated by Linda Jensen and Arianna Gellini.
Sommer des Zögerns - Group show at Kunsthalle Zürich (CH), curated by Matthew Hanson & Daniel Baumann.
Surgeons and Gluttons - Duo-show with Philip Ortelli at Palazzina, Basel (CH), with a text by Mitchell Anderson.
2019
Zu Gast am seidenen Faden/Dining on thin ice - Group show, Zürich (CH).
Embarrassed and Conciliatory - Solo show at Il Colorificio, Milano (IT).
Café Spit - Edition group show and popup store at Galerie PCP, Paris (FR).
Voi rubate del tempo alla fretta, a noi il mare ci impone lentezza - Group show at Villa Di Lorenzo, Ansedonia (IT) curated by Alberta Romano and Enzo Di Marino.
Crisis of Glass Bell - Group show at TANK, Basel (CH) curated by Noemi Psister and Dominic Michel.
Capriccio 2000 - Group show at Fondazione Sandretto Re Rebaudengo, Torino (IT) curated by Jeppe Ugelvig, Rosa Tyhurst and Hannah Zafiropoulos.
Le ciel, l’eau, les dauphins, la vierge, les flics, le sang des nobles, l’ONU, l’Europe, les casques bleus, Facebook, Twitter - Group show at Forde, Geneva (CH) curated by Roxane Bovet and Yoan Mudry.
2018
Les Urbaines 2018 - Lausanne (CH).
Le ore piccole - Group show at Dienstgebäude, Zürich (CH).
Bay Wetter - Duo show with Una Björg Magnúsdóttir at Wishing Well, Lausanne (CH) curated by Mélanie Matranga.
Ending Explained - Group show at Le DOC, Paris (FR) curated by Stéphanie Moisdon and Will Benedict.
2016
Aperto CSAV Fondazione Ratti, Group show at Villa del Grumello, Como (IT) curated by Lorenzo Benedetti.
texts
Gucci Prospettive 3, curated by Eva Fabbris and Giovanna Manzotti, 2024.
Caterina De Nicola in conversation with Irene Sofia Comi for L’Essenziale Magazine, 2023.
Caterina De Nicola — Riflusso riflesso, written by Regaida Comensoli for Kunstbulletin 4/2023.
The Future that Haunts, Caterina De Nicola in conversation with Caterina Avataneo on PW Magazine, 2023.
Unfaithful, Caterina De Nicola in conversation with Jacopo De Blasio on Nero Editions, 2022.
L’Ano Solare, curated by Il Colorificio, edited by Nationhood, 2021.
Beauty Hurts: l’immagine nella condizione post-estetica, Caterina De Nicola in conversation with Attilia Fattori Franchini, published on Flash Art Italia 353, summer 2021.
Fuori - Quadriennale d’arte 2020 Catalogue edited by Treccani Arte, a text by Matteo Binci, 2020.
KIOSK 124, August 2020 - written and conceived with Veronica Bisesti, curated by Clémentine Roy and Maria Adele Del Vecchio.
Capriccio 2000 - Anthology edited by Studio Temp, with a text by Jeppe Ugelvig, 2019.
Interview to Susanne Pfeffer for Klima Magazine (2018).
Caterina De Nicola
*b. 25 May 1991, Lives and works in Zürich, CH.
sayhi@caterinadenicola.com
@catecoladenirina
Caterina De Nicola (1991) is a visual artist and musician born in Ortona (Italy) and based in Zurich (Switzerland).
Her practice involves fiction, writing, sound and object investigation, to shape formal and discursive patterns by developing an analysis of symbols and motifs, as well as their circulation in a larger cultural system. In her practice, a post-postmodernist skepticism becomes a recurring mechanism through which generic images-symbols allow us to feel part of a common and undifferentiated social environment.
Caterina De Nicola's music production draws inspiration from diverse sub-genres of noise music, and it is characterized by fast and violent staccato rhythms, that push the boundaries of «no-fi aesthetics» to their extreme. Embracing the term «no-fi» as a deliberate lack of fidelity, her approach transcends the conventional perception of noise, creating a space where elements considered wrong become choices. Rejecting conventional professionalism, she fosters a place for sonic abstraction and tangible, physically noisy experiences, allowing individuals to engage with the space on their own terms.